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Saturday, December 9, 2023

The Mystery Guest is a cracking good mystery!

 Move over, Detective Monk. Molly the Maid is dusting your doors on her way past.

Set at the fabulous Art Deco Regency Grand Hotel, a five star boutique establishment, this is an early-body mystery, in which a award-winning and famously irascible mystery author drops dead during his  special appearance in the hotel's tea room. The maid-in-training who prepared his tea is the chief suspect.

But our new head maid, Molly, is not having it. She was once accused of murder in this very hotel and rose above to clear her name with the help of Charlotte, the brilliant daughter of the hotel’s doorman. She's determined to protect her underling by finding the real killer.

It’ll be an uphill struggle. All she has to go on is the unfinished/rudely interrupted statement by the famous deceased that he was about to reveal a long-held secret to his dedicated fans. And the odd behavior of one unpleasant maid with designs on Molly's job, yet who lacks the cleaning skills or dedication that Molly learned over many years of observing and assisting her now-deceased Gran,  whose advice still whispers in her head at opportune times.

Molly’s voice is crisp and engaging. She’s a collector of the lonely, a comforter of the lovelorn, and supremely competent, relied upon by Mr Snow, the manager. He’s not the only supporting character who comes to life with a few well-chosen phrases, but Molly is the deftly created and wholly supportable star of the whole shebang. She's coded convincingly autistic, which adds a few layers of both good and bad to her investigative process.

Good: she is highly observant and remembers a lot of what she sees.

Bad: she frequently alienate police officers and other people who should not be antagonized.
 
Does she overcome all that, and her own dubious family history, to solve the crime?

Well, this isn't her first swing on the roundabout of murder. But for that history you'll need to read the widely acclaimed 'The Maid' where we first make her acquaintance.

Go for it. It's a strong mystery, well crafted and written, with a bonus of solid representation for autistic and neurodivergent people in the workforce.

#netgalley #TheMaid #hotel #murder #CrimeFiction #authors #autism #neurodivergence


Tuesday, October 31, 2023

The Pantomime Murders

The Pantomime Murders

 by Fiona Veitch Smith


It’s December 1929. The fairy godmother from the pantomime vanishes into the night after her last performance in York, still wearing her sparkly dress and carrying her sparkly wand. When the show picks up a week later in Newcasttle, she’s been replaced and it turns out she resigned by telegram. Nobody has seen her and the request to send her effects from her theatrical boarding house also came by telegram. A concerned cast-mate hires Clara, a determined distance swimmer and private inquiry agent to find the missing actress.

Two books ago, Clara inherited the detective agency belonging to her late Uncle Bob, and is still learning the ropes. Her mother, Lady Vanessa, hates that she's running the detective agency instead of getting married to someone suitable (read noble), and that she also inherited a Georgian townhouse (complete with a forensic laboratory and a file collection of her uncle’s most bizarre cases). She's functionally independent and in no rush to give up her financial freedom. With plenty to prove to the various police inspectors and potential clients she encounters, Clara works long hours and tackles her new challenges with verve and ingenuity. A side plot about a shoplifting ring brings her a useful new assistant.

This complicated case is embedded in the now-vanished world of constantly touring theatrical companies, their rivalries and alliances, their succession of temporary boarding houses. The quotes from an extant 1929 play script of Cinderella are sure to please theatre historians. There are plenty of tourist touchstones around historical Newcastle as well as a few day trips to York by train. The mystery is a curious one, the science and detection tools are approximately appropriate to the state of knowledge at the time.

The Pantomime Murders has all the elements of an enjoyable 1920s Christmas crime albeit with fewer flappers and less gin, with a strong undercurrent early feminism. However, the first half is weighed down by Clara's repetitive thinking through her next steps, then discussing the same next steps, then doing one or two next steps, then thinking through them again in between every step. Once you get past that, the mystery clips along believably with some nice touches of menacing atmosphere and a nice twist at the end.

Overall this is a satisfying historical Christmas crime novel, well rooted in the social, cultural, and financial history of 1929.
 
#Netgalley #Newcastle #York #BlackTuesday #Pantomime #theatre #Suffragist #WomenHelpingWomen #EmblaPress #Christmas

Friday, October 27, 2023

 

Zoey Is Too Drunk for This Dystopia

Pub Date:

The creative gore here is perfect for Halloween reading. And it’s kind of a killer crime novel too.

You might not think from the opening pages that Zoey is going to become one of your favourite characters. But soon you will be rooting for her, and snickering at the snarky observations and quirky turns of phrase. You don’t have to read far before you realize that the author, being the former executive editor of cracked.com, has a wry and slightly demented sense of humor.

This futuristic supermall-slash-Vegas version of Utah has hypercharged crooked capitalism at its core, and thanks to her dead father, Zoey owns a large chunk of it. Anytime there’s wealth derived from shady/crooked origins, there are enemies. And Zoey's are a special breed of determined/crazy.

This book is a sequel to Zoey Punches the Future in the Dick (2020), which followed Futuristic Violence and Fancy Suits. Those two were written by the same author under the name David Wong.

Apart from a tendency of the various characters to digress into brief polemics about the inevitability of corruption and predictably existentialist views of modern society, the book is entertaining for anyone who loves wordplay and unexpected situational comedy. It will appeal to mystery lovers who like their humour zany, and to many people who loved Mad Magazine and Cracked in their youth. And possibly to anyone who enjoys The Murderbot Diaries.
 
You don’t need to have read the previous two books in order to enjoy this one, but you will probably want to go back after you’ve lived in Zoe‘s world for this extremely eccentric adventure. 
 
#NetGalley #Zoey #gangsters #politics #futuristic #zany #election #stunts #socialmedia

Shark Teeth: she's not really a biter

by  
Pub Date:  
Bloomsbury Children's Books
 
Kita is a really identifiable character, a girl going into grade 7 whose mission is to look after her younger siblings, keep their home life on track amid her mother's partying and absenteeism and cruelty, and most of all keep the family from being split up into different foster homes AGAIN.

She’s also got hyperdontia, two rows of teeth. The kids at school call her Sharkita or Shark Teeth. She's heard all the hurtful phrases that everyone who is physically different faces, and by now expects them. Which new person would ask her what’s wrong with her teeth? Which would say no offense before saying something that could only seen as offensive? Or, what hurt the most: which would pretend she wasn’t there at all?

Kita wants to join after school activities like her friends do. She wants to be a kid. And that seems to be what the new assistant principal is encouraging. Even when she’s trying out for the dance and twirl team at school, with her mother's blessing, Kita’s stressed about whether Mama is actually looking after the younger siblings or has gone off again. She has episodes of severe muscle spasms, but her mother just tells her they’re a sign of being crazy. If she tells anyone about them, she could get locked up. Mama's really an expert at cutting off Kita from anyone who might help her. 
 
This is a touching story of Kita's struggle to become a kid again: to learn to trust others to look after her siblings better than she can, to accept help and support and even love from people who truly have her best interests at heart. Foster kids will see their own struggles here, and other kids will relate to Kita's insecurities as well as learning empathy for classmates who too often are mocked for their poverty, their enforced maturity, their visible differences.  

Five Stars.

#NetGalley #FosterCare #FosterHome #Family #FoundFamily #Family Dysfunction #MiddleGrade #Twirl #DanceTeam #School #Friendship #Bloomsbury

Sunday, October 15, 2023

Imprisoned Like a Lady

 Act Like a Lady, Think Like a Lord

 by Celeste Connally 


This novel has all that most readers expect from a Regency: carriages, horses, a ball scene, sparks and snarks between the heroine and her love interest. There are few clues in the opening chapter to this novel’s Regency-Gothic plot, but get past that and it’s a socially relevant, intriguing tale of women successfully challenging of one of England’s longstanding, deeply inhumane ways of exercising patriarchal power and greed.

Several feisty female secondary characters band together with Our Heroine to rescue their downtrodden compatriots from controlling spouses and fathers, at similar risk to their own limited freedoms. It’s inspiring and refreshing, part of the new wave of Regencies that tackle wider societal problems rather than strictly a het romance.

Those flaws in this opening: dialogue and inner monologues are slightly over-flowery (as is common with neo-Regency novels), setting is generically ‘carriages and balls’ rather than definably Regency-era, and far too many paragraphs are lost interspersing Our Heroine changing her clothes with clumsily introducing (through inane dialogue with her faithful ladies’ maid) characters we’ll meet later. There’s no way to guess from this opening that you’re entering a tale of human frailty, madhouses, and morals that would not be out of place in a Bronte novel. 

Available for pre-order to Nov 14, 2023

#Netgalley #Regency #Women

 

Tuesday, September 26, 2023

The Observer: grim foreboding in a small town

The Observer, quasi-fictional recounting of a small rural town's seasonal doings through the eyes of a Mountie's young wife, proceeds with all the inexorable fatality of a comet as seen by those innocent of the scientific explanations. 

In this pre-cellphone, pre-internet proto-memoir our narrator is, by her own admission, a out-of-her-depth outsider in Medway (a fictional standin for Meyerthorpe, Alberta). She struggles to grasp the local rhythms of life, the inexplicable codes governing what dish to bring to which potluck. A recurring temporary job at the local paper, The Observer, gives her more insight into the denizens of town and surrounding farms, and hands her secret after secret that can't be spoken of directly, let alone printed in the paper. Mysteries come and go, adding menace but rarely resolved.

Mostly alone with her young child while her spouse Hardy is on patrol (sometimes for days on end) or at home sleeping between shifts, Julia fears her own emotions almost as much as she worries about Hardy's growing bleakness. She's a composite of thousands of law enforcement spouses: pitched without information or recourse into being the main emotional prop and outlet for a man under tremendous work strain, himself with no external support beyond that provided by equally stressed-out co-workers.

The characters are mostly sympathetic, the prose often beautiful, the moments of joy in nature sublime... and yet the darker undercurrents multiply, expanding like the comet's tail in the night sky. The sense of impending doom thickens page by page, chapter by chapter, recreating the nigh-breathless tension of life in an RCMP household, of an RCMP career, and in a town where too many assholes have been tolerated, too many secrets swept under for far too long. 

Something has to snap. You're just not sure what, or who, or how bad it's going to go.

At the novel's end, something does. By then Julia and Hardy are long gone, their reactions both sharpened by familiarity and muted by time & distance. Their subsequent life briefly touches on several changes forced onto the RCMP in the past twenty years, including Critical Incident Debriefing and other psychological supports. Spouses, though, remain outside the precinct, responsible for their own mental health and supporting each other without quite admitting just how much strain they're all under.

There's no emotional catharsis here for the reader, just as there was not for the very real townspeople who lived through, and still live with, not only the Mayerthorpe tragedy but the myriad dark currents that swirl beneath the idyllic surface of small rural towns.

The Observer

View Marina Endicott's book launch of The Observer

#NetGalley #Mayerthorpe #RCMP #MarinaEndicott #novel #prairies #smalltown #ruralliving #tragedy #policing #trauma #CriticalIncidentDebrief #journalism #dramaturge #horses #hate

Wednesday, September 20, 2023

Golden Gate is more than a place

The Golden Gate
by Amy Chua


The Golden Gate of the title is a hotel catering to the rich and infamous in San Francisco, and it's also a not-subtle delineation of the barriers that wealth and fame create to keep truth and justice at bay. A boffo prologue tells us there’s been a murder. In the first few pages, there are actually two deaths. And three golden girls--wealthy and beautiful cousins--who are all suspects. We don’t know all the players yet but we can be pretty sure things are going to keep on happening.

There’s a strong flavour of San Francisco noir, the cynical cop getting the runaround from wealthy businessman and politicians. Except this cop is half-Latino and thus very conscious of his race-based risk if he calls them out on their lies. He's worked hard to pass as white on the force, even using his mother's maiden name instead of his father's Mexican surname. Indirectly  at first, later more directly, the Japanese Internment of WW2 plays a role. Distinct overtones of Lavender House by Lev A. C. Rosen.

The chapters trip around in time between the first Golden Gate death, of a child, and the second, of a well known and much despised politician early in WW2. It's a slow unveiling of that ever-popular plot: rich Americans behaving badly. It's the author's first foray into crime fiction and that shows in the technique of revealing most of the useful backstory (and the solution) not through the detective's own efforts but through intermittent pieces of a long statement by the golden girls' grandmother, produced on the thinnest of legal pretexts.

There’s lots of evidence here that Amy Chua is better known for her nonfiction, as page after page elides away from the ongoing story into neutral-voice narration of San Francisco’s, and America’s, history. The history and culture are interesting as sidelights on the setting. Several characters are either real people, or fictional ones whose life events are lifted from then-living people. But those digressions, like the grandmother's statement, tend to distance us from caring about the characters or becoming fully immersed in exploring the plot.
 
As Chua is a talented writer and cares deeply about producing textured backgrounds rich in historical detail, her next mystery novel will almost surely be better, with the background serving as, well, background and the characters allowed to fully explore their own unfolding story. 

#Netgalley #TheGoldenGate #novel #reviewing #fiction #AmericanFiction #WW2 #JapaneseInternment #California #politics #politicians #philandering #adultery #cousins #lesbians #gays #LGBTQ #murder #AmericanHistory

Friday, August 4, 2023

The Rachel Incident gets five stars from me

This is both a small story of one woman's decade--from seedy university digs and hangovers with her gay roommate through professional development to the birth of her first child--and the story of Ireland's financial and social turmoil of the early 21st century. It tackles abuse of power and academic privilege, the difficulties and exultations of coming out queer in a college town filled with football hooligans and conservative religious parents, couple dynamics viewed through the lenses of several different Rachels in the course of her evolution toward maturity. And especially it speaks of lies, their endurance and their evolution. 

Amid the memorable images of drunken sprees and devastating breakups are some deeply resonant lines, such as

He talked about the book industry as if it were a dragon that was chained in the basement, and would tear us limb from limb at any moment.
I suspect most authors, editors, and booksellers would agree. Even some agents...
 
The book launch scene in chapter 7 is--apart from one notable backroom moment--both entertaining and cringingly familiar to authors and bookstore owners.

At one point Rachel talks about bands whose names she wouldn’t remember a decade later but that occupied "a magical sweet space between celebrity and accessibility.” 
 
For me this book is a magical sweet space between Ireland as it is, Ireland of the bleak financial-crash years before the Celtic Tiger roared anew, and the Ireland that was and remains shaped indelibly by the starvation times under Queen Victoria. Ireland has a long and complex memory, and that is infused in every page of this engaging tale of a young woman growing up, navigating her world not always wisely. Her happy ending isn't one I'd have envisioned, and yet it was perfect for her. I dare you not to tear up.
 
The Rachel Incident by Caroline O'Donoghue
the New York Times best-selling author of All Our Hidden Gifts

#Ireland #abortion #university #comingout #goinghome #financialcrash #womensfiction #Netgalley

DIVA by Daisy Goodwin

A competent fictionalization that breaks no new ground


In Goodwin's competent hands, this fictionalized life of operatic sensation Maria Callas is framed, and punctuated, by her relationship with the richest man on the planet, Ari Onassis. It drops us into her public space and private thoughts on the day she learns Ari has abandoned her and their long-standing affair to marry a woman of better pedigree, namely Jacqueline Kennedy Onassis. 
 
After that emotionally tense opening, we skip back-and-forth through her early desperate years in New York City, the ignored younger sister, until she demonstrates her singing talent to her grasping mother. Sent back to Italy when her parents separate, she supports her mother by singing in the streets and bars through some troubled times before finally making her way to a teacher and opera company. When she returns to New York City, it is as a world renowned diva, and the rest of the book is pretty much headlines with some yearning over forbidden food and arrogant comments about her own brilliance.

I wanted to like this book more than I did. But although it gives possible plausible insights into fictionalized Maria, it fails to make her engaging or sympathetic, and does not elevate the rather humdrum elements of her celebrated life either on or off stage. If there was a search for meaning in her life it seems to have gone no further than a quest to be allowed to eat pasta again as opposed to eating only salad to preserve her figure for the stage. With so much rich opera to draw on, there were many parallels that could have been made, some tragedies underpinned by the operas in which she performed, but the book stays in the lighter and easier fare, resulting in an operetta of middling competence rather than an opera-quality life and death.

 

Wednesday, June 21, 2023

Morgan is My Name - a medieval sorceress with modern resonance

Morgan is My Name 

by Sophie Keetch

 It’s a long time since a book carried me back to that time of courtly love and legend with such insistent grace. It’s a lean book, not a thousand-page epic, and yet in my mind’s cinema, drawing on all the Arthurian books and movies indexed through the decades since my first Disney Arthur, it’s a tale far greater than the economical, episodic text that pins it to the page.

One great truth is stated, plain as day, in the respect of the falcon Jezebel, a peregrine belonging to Morgan’s father. “Every return to the glove is a courtesy, not a right,” said young Morgan, just before her father rode away to try to draw Uther Pendragon from his woman and his children. The hawk is a recurring image and so are candles, signifying respectively freedom and the light of knowledge, both forbidden to young Morgan, princess of Cornwall, from the moment of her father’s death at the hands of Uther Pendragon.

This is a book about a girl growing up like any other girl of her era and high position, with only hints of the power she will come to wield, and the force of her hatred for Uther Pendragon. She is intimately relatable to modern girls, and the sidelights on her mother’s life and choices as the reluctant consort of Uther are relatable for older readers. There’s familiar territory for the Arthurian legends and a worthy courtly romance that makes the heart beat faster, that yearns for knights and dancing and candlelight and stolen kisses and secret vows of love and fidelity. For all the fire that burns in her blood for one parfait knight, this Morgan relies on other women in ways and depths that she, and they, could never rely on men—and indeed still can’t. It’s a story of sisterhood for survival in a time when men held all the outward cards. Again, very relatable for modern women.  The eruption of Uther into the narrative each time Morgan finds a measure of peace is a storm that reshapes her life and sends it hurtling off in a new direction.

And yet, because we readers raised on Arthurian legend know her doom (or think we do) we cannot but feel the foreboding that looms just over the crest of the hill. We want to change her ending. We hope that this author, with her insights into this prickly but relatable girl, can craft for her an ending that is not, this time, a doom for the ages. We hold our breath. As each turning of the page draws us closer to finding out what chaos Uther’s next thunderbolt will unleash - like a burly Zeus on horseback, his armour rusting in the Cornish rains - we both yearn for and fear the day when Morgan truly comes into her power. 

For then her doom will be truly set. 

 #NetGalley #ThanksNetgalley #Arthurian #MorganLeFay #Merlin #witchcraft #healing #chivalry #medieval #romance #CourtlyLove #SophieKeetch #PenguinRandomHouse #NewRelease

Saturday, June 10, 2023

The Adult by Bronwyn Fischer

This short novel is a paean to university poetry classes and obsessive love, through the intensely self-centric lens of a student away from home for the first time, groping her way toward adulthood as a queer woman in Toronto. As a deep-dyed introvert I know well the second-guessing and excruciating post-action analysis that can go into every encounter with another human. 

This tale will surely speak to many young women exploring their sexuality once they’ve finally left their conservative small-town lives behind.  However, the lack of development in any secondary characters may feel myopic if not claustrophobic. More mature readers may find the on-off-on relationship between the two adult women more worthy of interrogation than it receives at Natalie‘s hands. Her lack of curiosity about her lover’s life or interests--beyond 'Are you thinking about me when I'm not here?--and her occasional afterthought shows of interest in the doings of her friends and fellow students came across as selfish rather than sympathetic. 

The writing is sometimes lyrical although reading about poetry the protagonist is reading, or wrote, or might write someday, is hardly as compelling as reading the poetry itself could be. While I appreciate the excavation of a slow coming-out process, I would have liked to see this introverted, largely oblivious protagonist gain some understanding of relationships deeper than “that is the one I was in then, and this is the one I’m in now.” 

This novel came to me via Netgalley in expectation of my honest review.

The Adult

  Bronwyn Fischer


#Netgalley #lgbtq #university #comingout #comingofage #lesbian #parenting #shortbooks

Tuesday, May 30, 2023

Of Light and Shadow

"When they don’t give us our birthright, we steal it." 

The title doesn't do justice to this surprisingly compact Indian/Zoroastrian influenced fantasy novel that's so much more than good versus evil despite its bandit-versus-prince opening gambit. These pages are rife with magic systems and mythologies, politics, environmentalism, societal collapse, spirituality, racial biases, all wound around a grudging role-reversed romantic dance between the female bandit leader and the princely hostage.

I find the magic system interesting. Even healing magic exacts a penalty from the user, and our healer sometimes reflects on the perils and pitfalls of their position in ways that feel very real for someone both depended on and not quite trusted. In some senses this echoes the attitude from villagers towards herbal wise women in Europe in the witch burning years, although so far nobody has tried to burn our healer except one patient whose pain has overridden her control of her fire magic.

The environmental plot is well foreshadowed before it appears overtly on the page and forces our prince into a moral dilemma, caught between what he believes is right for the people of the damaged region, and his loyalty to his family.

It does seem that our very sympathetic female protagonist gets shorter shift as the novel unfolds. Rather than becoming more complex and facing deeper ethical or psychological or physical challenges, she seems destined to be reduced to a reluctant love interest. Fortunately, she eventually regains more equal footing with the Peri Prince.

This is a satisfying blend of environmentalism and magic, both light and shadow, that dwells within the characters as well as in the plot. Overall it’s a novel that feels more exotic than its lean writing and straightforward plot suggests. A most enjoyable read.
 
 
Of Light and Shadow
 
A Fantasy Romance Novel Inspired by Indian Mythology
Author: Tanaz Bhathena

 
 
#OfLightAndShadow #fantasy #Zoroastrian #India #royals #rivalry #familydysfunction #speculativefiction #Netgalley #YA
 
 

Saturday, May 20, 2023

STANDING IN THE SHADOWS by Peter Robinson

 

There’s something moving about reading a book from an author whose early work you know well, when it is published after he’s gone. So it is with Peter Robinson‘s last Inspector Banks novel.

This is another split-timeline story. The earlier sections are set in winter of 1980, when a university student is briefly a suspect in the murder of his ex-girlfriend. He’s trying to figure out what happened by questioning her friends and family. After a dramatic start, those plot sections rather devolve into a slow meander through 1980 university life with minor forays into the recent doings of the victim. We don’t much care about the student who is suspected, and we hardly learn anything to make us mourn the student who was killed.

The contemporary novel sections involve a years-old unidentified corpse that is turned up by archaeologists surveying the site of a future shopping mall. With no reason beyond mere curiosity to care about this unidentified collection of bones and bits of leather or metal, we can only plod along as Banks directs his team on lines of potential inquiry, occasionally buying them drinks, and generally showing why he’d be a nice boss to have. Old case threads and characters get some page time. Favours get called in from pals in high and low places. No more about archaeology, and the archaeologist rather fades away without leaving any impact, despite being one of the first (and only) interesting characters we meet. There’s a lot about music of the era, which bands were hot and which not, amid a few digressions into the spreading news that John Lennon was killed.

I found myself wondering how much of the manuscript was written many years ago and never quite reached publication in its original form. Could it have been updated with the investigation set in 2019, to feature the ageing Banks still cleaning up the mess from his previous case?

The book’s interesting enough in its way, and competent as usual, but not a ‘final book’ in any sense beyond the author's passing and the characters' occasional glances backward. We'll never know now how Robinson might have retired--or killed--his venerated Inspector, or what plans he might have had for the many sidekicks and side characters. Read it if you’re a longtime fan, if only for the poignancy of knowing it is the final book from a prolific and widely respected author.

 

#PeterRobinson #InspectorBanks #NetGalley #ARC #CrimeFiction #British 

Wednesday, March 15, 2023

Birnam Wood by Eleanor Catton

If you don’t dislike everybody, is the author even trying? 


Birnam Wood, the wood, is Macbeth’s downfall coming for him in ways he did not at all foresee. 

Birnam Wood, the group, is a loose collective devoted to growing food in underused urban spaces. 

Birnam Wood, the novel centers on Mira, the self-absorbed self-proclaimed leader and idea-generator of BW, her quiet sidekick/roommate Shelley who handles all the real, boring, administrative work out of chronic self-doubt and need for Mira’s approval, and Tony, a trust fund grandson who can’t settle to anything but obsessing over his once-upon-a-time drunken hookup with Mira. 

They and their largely nameless fellow travelers maintain dozens of urban food sites with and without permission, electrical connections, and legit water supplies, dispersing their harvests among land providers, each other, and the city’s food charities. Nobody can fault their work ethic, even if their self-absorption and petty squabbles make for dull reading until nearly a quarter of the way through the tome. 

This is not eco-thriller territory. What little action occurs is all tiny and mundane, on the scale of washing dishes or having a bowl of soup, and almost entirely lacking in suspense or tension or danger. As many reviewers before me have mentioned, you can probably skip or skim the first 100 pages and enjoy the rest as a thriller no more improbable than any Bond movie, although with a more ambiguous ending.

Eventually, Mira’s newest self-laudatory scheme brings them into the orbit of billionaire capitalist plunderer Robert, another prime candidate for the blind hubris of a Macbeth marching obvious to his own doom. 

After stumbling over Mira in a place she has no business being, Robert decides to use the collective for PR cover while he secretly strips a lot of rare-earth minerals out of a national park, destroying irreplaceable ecosystems as a disregarded byproduct. A bit of psychological manipulation and a judicious infusion of cash brings Mira, and thus the BW collective, into his personal puppet show. 

It’s a classic environmentalists-versus-capitalists tale except, as mentioned above, you don’t care about any of them. Well, maybe Shelley, once she stops being Mira’s doormat. But fear not: you’ll surely despise her later, albeit for different reasons (in truth, the environmentalists separately and together are about as appealing as King Lear’s problematic daughters and far less fun than Macbeth's three witches). 

The Birnam Wood lot are the good-banal: white and middle class, given to intellectual/philosophical polemics, virtue-signaling, and purity-testing…in other words, all the leftist habits routinely memed and mocked by the political right. The capitalist plunderer is the bad-banal: a billionaire with all the tech toys, unlimited cash, and unquestioning goons to follow his increasingly unethical orders. He’s a big-headed cartoon villain out of leftist conspiracy theories, whose every public action is cover for an evil plot that in itself is cover for an even more evil plot. 

Despite all the words expended in their respective self-justifying inner monologues (and there are a LOT of those), none of these characters rise above the level of caricature. Given fewer wordy inner monologues and more actions indicative of emotional truth, I might have been moved by the increasingly dire plights of the collective members. But they were as painted trees dragged about the stage by a guiding hand not the equal of the author of Macbeth. 

The thriller part starts to crank up steam around the half, and thereafter gains pace as well as some gross improbabilities that would be easier to overlook in a 2-hour movie than in a novel. Given the collective’s focus, there is less garden or vegetative imagery than you might expect, although the tidbit that fennel inhibits the growth of other plants makes a rather neat metaphor for both Robert and Mira. There are some shaky forensic assumptions that wouldn’t fool most watchers of modern crime shows. For the grand finale, picture Hamlet by way of South American drug cartels. 

The novel is competently written in plain language and – no mean feat - manages to be even-handed in its disdain for all sides in the environmentalists-versus-capitalists battle. The most convincing part, for me, was the cynical presentation of just how readily governments local and national let environmental protections fall by the wayside through inadequate regulation, lax oversight, and non-existent enforcement. None of these cutout characters can beat a real-live politician for sheer self-centered hubris and willingness to overlook or whitewash almost any environmental or social catastrophe if by so doing he/they can gain a single scintilla more power or influence or favourable press.

#ecothriller #BirnamWood #Shakespeare #NewZealand #politicians #environment #RareEarthMinerals #mining #NationalPark #hubris #NetGalley #review #amreading #crimefiction


Saturday, February 25, 2023

But are they Gatsby? 2 YA protags comped to classics

Some of the most famous books in English literature are about men who aren’t who they appear to be. 

I'm thinking specifically of Jay Gatsby and BratFarrar, although The Talented Mr. Ripley is better known than Brat because a) he's American and b) the movie. 


Brat - a corruption of 'Bartholomew' or 'Bart' - was the protagonist and title character of British crime queen Josephine Tey's 1949 novel of domestic suspense: either the long-lost heir or the most cunning imposter the English reading public of the time could imagine.  

Brat got a UK airing back in the 1980s but it didn't see a lot of play in North America. (now available on Youtube)

 

Gatsby, well, is there anyone who doesn't know The Great Gatsby by F. Scott Fitzgerald?



John Irving, in his foreword to one of the newer editions of The Great Gatsby, wrote:

Jay Gatsby turned to crime, made his fortune, and tried in vain to escape his past and beat his own fate. The odds were always against him, and he failed and died trying.

The last sentence of the book is its most famous: "So we beat on, boats against the current, borne back ceaselessly into the past." Jay tried mightily to beat on, to fight the current, to rewrite his past but in the end could not overcome it.

 

The two books I’m contemplating today have characters equally compelling but they’re not men. They’re teen boys. Specifically, the lead characters in two young adult books from the past decade: Gary D Schmidt’s ORBITING JUPITER and Lisa McMann’s DEAD TO YOU.

While the adult novels examined the men’s lives and loves against the backdrop of their respective entitled spheres as seen through the eyes of a relative outsider, the YA novels excavate the inner and outer chaos of boys brought up in modern poverty and abuse. Both boys stumble through a world they don’t belong in, a picture-perfect Middle America where everyone goes to church and supports their local high school teams. 

The moral ambiguity is the common element. That, and the yearning for what they can never have. Gatsby wants Daisy. Joseph wants Jupiter. Brat and Ethan want to finally belong: to have a home and a family.


In the Schmidt book, cool-as-nails Joseph, like Jay Gatsby, is seen through the worshipful but wary eyes of foster-brother Jackson. Jackson records, defends, tries to puzzle out Joseph’s inner drive, while the adults around him speak ominously of Joseph’s dangerous past and uncertain future. Eventually Jackson learns Joseph is bending all his will to finding a girl separated from him by her cruel parents (okay, that part’s maybe more overtly Romeo & Juliet than Great Gatsby; but you may recall Daisy’s parents were reported to be similarly unimpressed when their golden girl looked smitten with an impoverished lieutenant from an unknown family). But in both stories the uncaring greed of another, more powerful male threatens all the new stability Joseph is building, and ultimately leads to ruin.

In the McMann book, streetwise Ethan, like Josephine Tey’s iconic wanderer Brat Farrar, returns home after a long absence and is both welcomed and constrained by the family he vanished from all those years before. His younger brother distrusts and resents him. His parents struggle to keep the peace and get his education back on track. He’s only fully accepted by the younger sister who has no memory of him to continually compare his present self against. But years of abusive environments have left their mark, and he can’t relax fully into the idyllic family setting. He’s always waiting for an attack, and soon enough, someone obliges.

 

What makes all these books tragedies is not only that nobody gets what they want, but that their trying leaves such destruction in its wake.

If the thought of dipping into the classics makes you yawn, dip instead into the modern world of YA lit in these two books. You'll leave with a deeper insight into the complex, hopeful, despairing worlds of modern boys. 

 

#Gatsby #JosephineTey #BratFarrar #OrbitingJupiter #DeadToYou #YA #

Sunday, February 19, 2023

When Powerful Women take to corporate life: VenCo by Cherie Dimaline

You might expect a speculative feminist novel to end with women entering the board room triumphantly. Always willing to confound expectations, this Governor General's Award author starts her ninth book that way. 

Soon we learn that the whole corporation is organized on feminist principles, with a leadership circle rather than a hierarchy. And then it gets into witchcraft. The mission is to find the seventh witch in a prophesied coven before time runs out. We don’t know yet what catastrophe she and her six compatriots are supposed to avert but the sixth witch is now found and clock is definitely ticking.

For a while this book feels and reads like a well written, gently paced, speculative fiction novel featuring the well and thoroughly covered trope of the teenage heroine hunted by an ancient evil. And yet…

It takes a while for the differences to come to the fore. In the traditional hero's journey, the protagonist is forced out of their comfort zone and pushed to take up the quest. In this feminist re-visioning, the heroine's journey, not only are the older witches is part of a circle that is collaborative rather than hierarchical, but they are mutually respectful. At each stage of the increasingly complex situation, they discuss facts and implications, giving each other space. The female characters don’t play into the familiar master and apprentice dynamics. 
 
Of course there's a Big Bad - possibly the last of a centuries-old clan of witch-hunters with mesmeric powers. He's able to spy on the witches through their dreams, and knows when the seventh witch is in their sights.

This author has a firm grasp of language: Its texture, shapes, and flow, like a braided stream, cross and re-cross, forming a tale that is partly well paced contemporary paranormal fantasy, and partly the indigenous underpinnings we have come to expect in a Dimaline novel. Beyond that, the characters bring into harsh light the long-standing western capitalist and religious war on women, from the Reformation-era witch burnings to Salem and beyond in America. Themes of dispossession and identity and belonging breathe from these pages. 
 
Astute readers might note that the Maiden, the Mother, and the Crone, although human figures forming VenCo's leadership circle, are also archetypes and therefore not fully fleshed out humans with personal histories brought to the fore.

On a purely craft of writing level, I appreciate the ebb and flow of tension. Things get tense and then potentially dangerous, and then things get calmer again and then things get really relaxed and friendly and then Bingo! A quick reminder of danger. It’s all interesting, and the fluidity of the tension is an added piece of my enjoyment.
 
Thanks to #NetGalley and the publisher for the opportunity
 
 
ISBN: 9780063054899
ISBN 10: 0063054892
Imprint: William Morrow
On Sale: February 7, 2023
 
#Indigenous #Witchcraft #Persecution #Salem #Fantasy #Action #Adventure #MagicalRealism #Horror #FairyTales  #FolkTales #Legends #Mythology #OwnVoices #reviewer #bookreview

Monday, January 30, 2023

Gigi Pandian's THE RAVEN THIEF

The Raven Thief

A Secret Staircase Mystery (Book 2)

Written by Gigi Pandian

Narrated by Soneela Nankani

What a fascinating concept for a crime novel: an author whose first book (about possibly shape-shifting into a raven to murder his wife) is accused of breaking into his ex-wife's basement to steal the typewriter he wrote it on. You might wonder whether he's superstitious or just wreaking petty vengeance on his newly ex wife for gutting his Poe-inspired old writing office and remodeling it into a much more fun space. Eventually you'll find out more about the typewriter, the author, the novel, and the book's title. But first....

There's a LOT of description of the remodeled space, and a great many complex setting details from both this remodel and the one where our protagonist lives: secret bookcase doors and rocking-horse door unlocking mechanisms, false-bottomed trunks etc. In print it would be easy enough to flip back over the descriptors to get them clear in your mind, but with audio it's harder to keep track of which knickknack hides or opens or unlocks or lights up what structural element. A sketch map would help. Maybe there will be one in the print version (this review is based on an audiobook ARC via #NetGalley).

There's also a fair bit of discussion in early chapters about past events and the overarching series mystery, which means a lot of references to characters who might have featured earlier in the series. Readers have a lot of names to remember and no way to tell how many of them will be important to the current story. So a cast list would help, especially if it was divided into 'current book' and 'series characters'. Or start with the first in the series, Under Lock & Skeleton Key (although, to be honest, that one spends the first 45 minutes or so of the audiobook largely in setup for Tempest's family home and her recent past that, frankly, sounds a lot more exciting than the early events of that book).

Once you get past all that, there is gradual progress on one of the crimes, and a lot of meandering about Tempest's past that may or may not impact her future. It all robs the story of momentum and although the author set up many Easter Eggs referencing classic crime fiction, they weren't enough to keep me caring who had been done wrong by whom, much less why.

The narrator's voice is pleasant to listen to, with enough emotional infection to enhance the text without overwhelming it. There's not a lot of difference between the protagonist's dialogue and the other characters' words, but enough to tell you it's a different character speaking. The text doesn't give the narrator a lot of emotional subtext to amply, sadly, but if what you enjoy about audiobooks is a human voice murmuring in the background while you're doing other things, this one will work as well as any other.

#Netgalley #RavenThief #SecretStaircase #trapdoor #cosymystery