Dr. Mary Putnam Jacobi and the Challenge to Victorian Medicine that Changed Women’s Lives Forever
By Lydia Reeder
So who are those Victorian women who changed women's health care?
2024 is a great fall for well-crafted fantasy fiction with a literary bent. 'The Scholar and the Last Faerie Door' is a must for any adult who still yearns to open a door and find themselves in Narnia (or some other fantastical world. Or had ever dreamed of other lands among the dreaming spires of Oxford like CS Lewis and JRRR Tolkein.
This book's getting the rare 5th star from me.
.
I'm right there with The Scholar (a teen named Clover) every step of her journey from the struggling family farm - struggling because her older brother was gravely wounded in WW1 and their father died in the Spanish Flu - to the dreamy spires of a fictional Camford: the secret magical university accessible through a door in the Bodleian library in Oxford or its Cambridge equivalent. The world of post-WW1 England, the elegant yet practical language, the relationships between students and their parents, even the mysterious world of the university Board and its sociopolitical secrecy, all feel real and complex and totally immersive even before Clover and her coterie get serious about opening the titular Door.
This is the familiar school of magic trope with an older cast and the richness of British university tradition behind it. In time and in literary space, think 'The Magicians' meets 'Jonathan Strange' with a grim undercurrent from CL Polk's 'The Midnight Bargain' (which also deals with magical post-war trauma of a similar-feeling era).
#NetGalley #TheScholarAndTheLastFaerieDoor #Oxford #Cambridge #WW1 #historical #Amiens #PCTSD #PTSD #scholarship #university #magic #Fae #magical #fantasy#Camford #CSLewis #Tolkien #CLPolk
Guernica Editions, November 1, 2024.
This story smoothly sets the 1970s stage for a second generation Chinese immigrant’s son, a CBC or Canadian born Chinese. Johnny’s whole life has been steered by the previous, more traumatized immigrant community, seen as a precious hope of the future to not only his own parents but to lonely old-timers who got cut off from their families back in Asia during the Chinese Exclusion Act and never managed to reconnect after it. High school is as casually racist as you expect (or recall) from the 1970s. Jocks pick on all immigrants and every other person of minority background must decide every time whether to keep silent and avoid notice or intervene and risk being beaten up too. Mostly Johnny keeps his head down, works in his family restaurant and pals around with Leo, who works the door at Auntie’s gambling den, where Johnny’s own mother spends far too much time.
The theme of family loyalty runs throughout. Does Johnny have the right to walk away from the family restaurant and go away to college, to chase his own dreams and aspirations? The stakes rise fast when he learns his family’s restaurant may be lost to debt, and his increasingly elaborate stratagems to raise money create correspondingly greater complications for his schoolwork, his home life, and his budding relationship with the girl of his dreams.
This deceptively simple teen story is really a complex tale of family and friendships, philosophy versus the hard choices of reality, and how Canadian immigration law and practice screwed over early generations of Chinese people who were doing their best to survive, paying their lives forward to give their children (indeed all Chinese Canadian children) opportunities that had remained beyond their own reach.
#RiverStreetWrites #GuernicaEditions #review #bookstagram #ARC #immigrants #Chinese #ChineseCanadian #novel #Family #SecondGeneration #1970s #familysecrets #teencrush
COMING SOON from Wolsak & Wynn
October 22, 2024.
Is it Dark Fantasy? Paranormal Noir? A
tantalizing blend of genres named and yet unnamed?
Crisp writing, cynical voice, an ancient wanderer addicted to angelic grace.
And no, that’s not a nickname for some new street drug. Cross - named for the
one his current body died on, once upon a time - has been wandering the world
for 2000 years, killing angels for their grace in order to either further or
forget his eternal hunt for the traitor Judas, depending on the day. Judas,
once realizing g that Cross is resurrecting, hunts him too, always seeking a
means to ensure he stays dead this time.
The classical allusions, which are many, are intelligent but not off-puttingly erudite. They assume some basic familiarity with Judeo-Roman history. Knowing a bit of basic mythology helps too: Roman, Greek, Arthurian… to name a few. But, like Cross leaving bits of his memories in the library with Alice, you may never feel like you have the whole picture.
Cross himself is a bit moody, an inner monologue on legs, and not terribly observant about the world outside his concerns. Jaded, you might say, and why not when he has been alive for most of the past 2000 years, give or take the odd dozen? All you know for a long time is that he learned in a Roman arena how to harvest grace from angels, has hung around with a lot of now famous (and now mostly dead) artists, and likes to support bookstores even when he’s not actively collecting books. Well, and the whole trying to kill Judas thing, which project he has more than one good reason to tackle.
I missed seeing the book when it was first released in 2013 by Chizine Publications under the name of Peter Roman. But it and its successors, The Dead Hamlets and The Apocalypse Ark’ are well in tune with these times that include shows like Lucifer and paranormal crime-solving like the novels by Jim Butcher or Ben Aronovitch. Maybe harkening back to the anti-heroes of classic Noir novels. Less action, more introspection, but definitely in the same deeply readable vein.
#RiverStreet #WolsakWynn #DarkFantasy #Mythic #JudeoChristian #antihero #Religion #Noir #Paranormal #angels #art #museums #novel #review #bookreview #Medusa #Gorgon #Mummy #Barcelona #Judas
The tale is set convincingly on a Welsh island where isolation and insularity have endured despite increasing interconnections with the mainland. The changeable sea weather is almost a character in its own right. Longtime inhabitants regard newcomers with suspicion and faithfully nurture long held resentments against each other. It’s a classic cosy mystery setup with a touch of the neo-gothic: middle-aged Kate goes back to her village for her grandmother’s funeral and learns her only aunt’s suicide fifty years ago might have been murder. And it might have involved the snobbish older ladies everyone calls The Weird Sisters.
Kate soon uncovers a plethora of suspects, and of motives. There are so many characters, indeed -
and some of them long dead - that a cast list would be handy. Many of them get their
own short scene or two of largely inner monologue, leading readers to believe
they’ll be important to the slowly unfolding plot. Their memories of their
exact whereabouts (and those of other suspects) on the fatal weekend fifty
years earlier are surprisingly specific. When everyone has their moment in the
sun, it’s hard to much care when the supposed main character, Kate, is left wandering
for long stretches, asking the occasional, largely ineffectual, question. She gets into a couple of dangerous situations but her reactions water down any tension that has arisen.
I expected to like this novel more than I did. It’s a genre I generally enjoy, and it was getting good mentions online. Yet it’s not a happy synthesis of the island-crime-cosy and the neo-gothic family saga. An essential element in both story types is reader investment in the protagonist’s quest for the truth, but there was nothing particular to like or dislike about Kate. No reason to root for her, no motivation to care about the suicide/murder victim particularly.
A sketch map of the island would add
to the classic locked-room feel.
Secrets in the Water
Alice Fitzpatrick
STONEHOUSE PRESS