Search This Blog

Showing posts with label Georgette Heyer. Show all posts
Showing posts with label Georgette Heyer. Show all posts

Friday, February 7, 2014

The 1920's as seen by Peter Wimsey

1920s London is a great place to set a mystery. In the Golden Age of Mystery (British edition), the greats were Agatha Christie, Dorothy L. Sayers, and Margery Allingham. Georgette Heyer's contemporary (for the 1920s & 1930s) mysteries are often overshadowed by her more famous Regency novels, but share much of the witty insouciance that keeps the latter charming readers well into this century. I read them all voraciously.

Newcomers in that tradition who set books in the 1920s and 30s include Carola Dunn, Rhys Bowen, Catriona McManus and Dolores Gordon Smith. There are many others, but these are the ones I've read and enjoyed enough to keep reading. I seek out their new work.

Anyone thinking they'll need a dictionary to comprehend the slang of the era is welcome to sample this one online. Although it appears more American than British at first glance, there are plenty of overlaps.

http://home.earthlink.net/~dlarkins/slang-pg.htm  

Part of the fun of reading historical mystery is immersing yourself in the spirit of a different era.  I was delighted to receive a link to a blog post hosting lovely film footage of London, shot in London in 1927. An example of an English-developed colour film process, it has been smoothed out to get rid of the characteristic grit and graininess of early film. I wish they'd used 1920's music when they re-released, but they didn't. It's still fun to watch, and as a bonus, I can imagine my father and his sisters whenever there's a child in the frame, as they were children in London when this footage was shot.
http://www.deathandtaxesmag.com/198876/rare-color-film-shows-what-london-looked-like-in-1927/

Let me not forget to mention, amongst 1920s series that I adore, Australia's Phryne Fisher mysteries by Kerry Greenwood. Fun, flighty and more than faintly sexy, Phryne adaptations are now appearing on PBS and ABC stations near you.


Because I truly am a glutton for the 1920s and surrounding decades, I have an ever-expanding list of titles to sample when time and opportunity permit, including Kate Morton's The House at Riverton, Robert Bastable's A Mansion and its Murder, and Laurie R. King's Touchstone. Care to suggest others I might enjoy?


Saturday, August 28, 2010

Lost in Austenprose

Austenprose has been doing Georgette Heyer novel reviews all month. I finally went there last evening when the yearning to participate became stronger than my common sense. I was lost for many hours, reading reviews, commenting on my favourite characters and scenes, commenting on other commenters' comments on same.  Lost... for hours... and going back for more this evening.

Heyer was my favourite author even before I discovered Jane Austen. Her books have been read to tatters multiple times. My oldest daughter shares my conviction that the best possible escape from this irksome workaday world is a retreat to the Regency... but only in the very highest-quality genuine Heyer and Austen varietals. Beware cheap knock-offs!

Discovering Heyer helped me survive more than the usual teen angst. At the start of high school, I was abruptly transplanted from West Germany to a small mill town in Northern Ontario. Even though I shared a common language and heritage (English Canadian) with my high-school peers, my clothing and attitudes and taste in music marked me as definitely different. 'Different' is not a boon in high school.

My family was dissolving around me under the doubled stress of culture shock and over-crowding: 2.5 distressed teenagers and their shaken parents, isolated in a small apartment in a town where 80% had never gone out of 'The North', where teen pregnancy, early marriage, and a life of hockey and beer were the overwhelming and accepted lot of the neighbours. We did not fit in, and knew no-one. And yet I was FROM Canada, supposedly coming 'home'. I have a lot of sympathy for immigrants, who add language difficulties on top of the rest. Moving cultures is HARD.

Finding a fictional world where heroines - bright, intelligent, creative, thoughtful heroines - faced up to such troubles and more, and found ways around them that did not often include being saved by the guy on the white horse - gave me a respite from worldly cares and some ideas for alternate behaviors in the face of scornful peers. In Heyer's world, if you are being whispered about behind the other girls' fans, you hold up your head higher, smile a little brighter, flirt a little stronger, and look as if you are having the best time in the world. Soon enough it becomes, if not completely true, at least not as much of a lie. And you don't go home from the Assembly/school dance to weep into your pillow. You go home with visions of young men coming on the morrow to leave posies (or movie tickets) at your door. And, often enough, they do.

The lesson I took away was "Some people might be mean behind your back and overtly cruel to your face, but you do NOT have to care about them. There are other, nicer people in this world too, and they will like you if given the chance."

Heyer's social lessons and high-quality escapism kept my head high and my confidence propped up through university, job interviews, a divorce, a re-marriage and integration with a new family.... and helped me re-establish my social circle following several subsequent moves. If I had spent those years retreating to 'Twilight' instead, would my takeaway lessons have had the same carryover practicality? (I don't know and can't guess because the writing in that series makes me gag every time I try it)

I have never been back to that town, and probably never will now because, like all mill towns, it was shrinking in the face of globalization even before the current economic slowdown. And the three young women who read Heyer with me all left town around the same time I did. I'm not sure any of them have been back either. When I think of the place now, the boarded-up homes and weed-grown parks are overlaid with the golden afternoons in Shari's grandmother's bedroom, reading our way through a world far removed in time and space from the angry girls and ugly boys who jostled us in the corridors of our over-crowded high school. A world of social order and nice clothes and graceful dancers.... and women who thought for themselves and were not afraid to say so, politely.

Over at Austenprose, that last describes pretty much every woman writing the reviews, and the comment trails. That place, right now, is closer to home than anywhere I've been since before high school.